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Dancing in Blackness: A Memoir
Download Dancing in Blackness: A Memoir
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Review
“Osumare has engaged with black dance as performer, choreographer, educator, arts administrator, researcher, and activist in the United States, Africa, and Europe, and through multiple careers. In this equal parts memoir, autoethnography, history, encyclopedic catalog, and sociocultural analysis, she traces her activities from the 1960s through the late 1990s, as she becomes a tenacious advocate for black dance. . . . An eclectic mélange.â€â€•Library Journal “A lovely example for any dance student to see that art does not exist in a vacuum but is a response to and reflection of artists’ experiences, conflicts, and boundaries created by themselves or society.â€â€•Journal of Dance Education“Explores the relationship between dance and culture from the perspective of someone who celebrated both, intertwined.â€â€•Sacramento Bee“[Osumare] recounts four decades’ worth of poignant personal experiences using dance as a tool for social change and justice. . . . Her perspective on black dance in America will benefit the whole dance community.â€â€•Dance Teacher
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Review
"Finally someone who knows a dancer's process and a choreographer's vision that has tackled the mystery that is the magic of contemporary African-American dance. In Dancing in Blackness, Halifu Osumare has extricated the fundamental influence of Dunham, the choreographic strategies of Rod Rodgers, Eleo Pomare, Chuck Davis, Donald McKayle, and Alvin Ailey, as well as illuminating the paths they created for Jawole Willa Jo Zollar, Bill T. Jones, Garth Fagan, and Diane McIntyre. What a wealth of treasure and scholarly and aesthetic understanding Osumare brings to this often misunderstood and woefully neglected American art. Bravo!"―Ntozake Shange, author of for colored girls who have considered suicide / when the rainbow is enuf"Dancing in Blackness belongs on every dancer's and artist's shelf. It is a wonderful personal telling of the black experience in dance, in art, in life, and of the dance world in Boston, New York, and the whole Bay Area. It is beautifully written―an engaging and fact-filled narrative where you meet the choreographers of the period, their work and visions, trials, successes, and triumphs."―Donald McKayle, choreographer of Rainbow Round My Shoulder"Halifu Osumare is a relevant voice from the Black Arts Movement of the '60s and '70s. She has danced the talk, music, and history of that period and beyond. This is a must read for insight into a black artist's personal and professional journey."―Kariamu Welsh, editor of African Dance: An Artistic, Historical and Philosophical Inquiry"Coming of age amid the counterculture and Black Power in San Francisco, Osumare becomes a professional dancer in Europe and New York before returning home to realize her mission as an artist, activist, and thinker. Her memoir reveals an astonishing ability to evoke and to historicize her lived experience."―Susan Manning, author of Modern Dance, Negro Dance: Race in Motion"An unapologetic, rapturous travelogue detailing life, love, and an abiding mission to further the place of black dance in global histories."―Tomas F. DeFrantz, author of Dancing Revelations: Alvin Ailey's Embodiment of African American Culture"Osumare affirms the spiritual and tangible power for dance to teach, energize, heal, and inspire all peoples on this human journey."―Joselli Audain Deans, consultant, Black Ballerina
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Product details
Paperback: 400 pages
Publisher: University Press of Florida; Reprint edition (March 19, 2019)
Language: English
ISBN-10: 0813064325
ISBN-13: 978-0813064321
Product Dimensions:
6.1 x 0.7 x 9.2 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#1,569,734 in Books (See Top 100 in Books)
Reading Dancing in Blackness: A Memoir was like a stroll down Memory Lane. Some of the most meaningful years of my life were when I was taking Halifu’s classes at Everybody’s Creative Arts Center (ECAC) in Oakland, California, a unique studio whose motto was “where life and the arts come together.†The time was the 1980s, and I was looking for a dance class that was diverse in ethnic and racial makeup. Not only did I find that at ECAC, but I also found a teacher who mixed spirituality and dance theatre with dancing—something that was not common in other classes. In addition to taking classes, I was totally moved by the dance concerts that Halifu and staff put together—especially The Evolution of Black Dance, which mesmerized me from the minute I happened to wander into a rehearsal of this masterpiece. Dancing in Blackness is both a scholarly, well-written work that makes a nice contribution to the world of Black dance and a recounting of the exciting adventures of a woman who has danced all around the world. Each chapter is captivating as it relates the experiences of a charismatic teacher with a vision. Through it all, Halifu shines through as a dynamic teacher and choreographer, one who will never be forgotten. I wholeheartedly recommend this book to anyone interested in Black dance and the life of an extraordinary teacher in the Bay Area. —Vitalee Giammalvo, M.A., M.Ed., Former ECAC student
I am one of the many individuals who took dance classes at Halifu Osumare’s pioneering dance studio in the 1970’s. Her mesmerizing and informative book reinforces the fact that Osumare is a seminal figure in dance internationally, nationally, and particularly in the San Francisco Bay Area.You don't have to be a dancer to appreciate the enthralling tale that Osumare recounts for us.Always the nonconformist visionary, she tells us in spellbinding detail about her various fascinating travels as a young adventurer studying dance in Europe and Africa; her collaborations with and behind-the-scenes stories about legendary Black dancers prominent on the New York City scene; her interactions with famous and influential supporters; and her sometimes challenging but always rewarding efforts to invigorate Oakland-San Francisco Bay Area dance institutions.Osumare’s vivid chronicling demonstrates that she not only deserves her rightful honor as a trailblazing dance legend, but also as a well-respected arts administrator, and an erudite scholar of dance.
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